Note that most of these touches can be rotated, i.e. started at any point, going back to the beginning at the end.
e.g. the 100 of Bob Doubles, PBPPBPBPPB could be started three leads later, to give
PBPBPPBPBP.
This is not intended to be an exhaustive list, but if you have any particular favourites that I ought to include, please let me know.
There are some notes on conducting on the site too;
Presentation from 2005 Association Training Day
Conducting Plain Bob Minor
Quarter Peal Compositions | Don Morrison's extensive collection |
John Warboys' Compositions | Includes a lot of Surprise Minor |
Mark Banner's Collection | Includes many touches from the Ringing World Diary, among others |
Adam Beer's Visual Method Archive | Find the blue line for any method |
Calling Touches | More about touches and calling |
Conducting Worksheet | From John Heaton's collection of worksheets |
The Best 1280 | Quarter peal compositions for any Treble-Dodging Major method, by Stephen Beckingham |
Composition Library | Lots of information about methods and compositions |
Plain Bob Doubles |
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60 | PBPBPB or BPBPBP | In the first version, the 4 makes the bob three times; in the second version, the 5 makes the bob three times. |
100 | PBPPB PBPPB | Good for a learner to have just one type of bob at a time; e.g. here the 2 is only ever unaffected or runs in |
120 | PPPB PPPB PPPB | "The usual" - call one bell unaffected three times. Each of the other bells does "IOM"; In, Out, Make It, in some rotation (i.e. I O M, or O M I, or M I O). Remember it as "Isle Of Man". |
100 | PBB PBB PBB P | Good for practice - and note that you're back in the plain course after each pair of bobs - provided by Graeme Heyes (FALSE) |
120 | PB PPB PPB PPB P | More good practice - every bell does every call once. (FALSE - NB may come round more than once if rotated). |
180 | PBPBPP PBPBPP PBPBPP | Call the 5th; Out, In, Out, In, Out, In. (Contains every row at least once, but no more than twice) |
See here for a piece on calling multi-extent touches of Bob Doubles |
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Grandsire Doubles |
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39 | PBPP | The three goes into the hunt at the bob. (NB can't be rotated). |
60 | PBPBPB or BPBPBP | In the first version, the 5 double-dodges 4-5 up at each bob; in the second version, the 3 does so. |
90 | PPB PPB PPB | The third is unaffected throughout - makes 3rds at each bob. (FALSE - NB may come round more than once if rotated). |
120 | PPS PPS PPS PPS | (FALSE - NB may come round more than once if rotated). |
A complete list was published in the Ringing World and also, for touches including Extremes, see John Irving's web site | ||
St Simon's Doubles
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40 | BBBB | A bobbed course. |
60 | PBPBPB or BPBPBP | In the first version, the 4 makes the bob three times; in the second version, the 2 does so. |
60 | PPB PPB | One bell runs in twice; another runs out twice. (NB making 3rds in Reverse Canterbury) |
100 | PB PPPB PBBB | Starts off innocently enough, calling the 2 unaffected; but then there's a sting in the tail! |
120 | PPPB PPPB PPPB | As above, call one bell unaffected three times. Or "I O M". |
120 | PBBB PBBB PBBB | 9 bobs! Call one bell "affected" - i.e. every time except when they're unaffected. |
Stedman Doubles |
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120 | 2 singles | The same pair of bells is affected at each single. The usual way is to be one of the bells yourself, then call a single each time you meet your chosen victim in 4-5. A neater way is to call yourself unaffected - the easiest places to do this are just as you leave the back, either going in quick or slow (but the same both times); the call is made at your (first) blow in thirds place. Or another easy place to call is at your first half turn (i.e. the handstroke point lead). |
120 | 4 singles | Two pairs of bells are affected here, with a single called every 30
changes. But the easiest way to call it is again to call yourself unaffected;
call a single each time you go in quick and at your first half turn, as
described above. The pairs affected can be 12 & 34, 23 & 45, 35 & 14, 25 & 13 or 15 & 24. |
Note that any touch of Stedman should come round, as long as it contains an even number of Singles, so don't panic if you miss a call; just put it in anywhere else! | ||
See here for all the possible true touches of Stedman | ||
Plain Bob Minor |
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72 | PPBPPB | One bell (either 4, 5 or 6) makes the bob twice. |
108 | BBP BBP BBP | Good for practice for 2, 3 and 4, each running in and running out twice. And musical too, called this way round. |
120 | PPPBB PPPBB | "The usual" 120 - one bell is called unaffected each time it is dodging in 5-6. |
120 | PPPSS PPPSS | ... or you can call a single everytime one bell is in 5-6. |
131 | BPPPS BPPPS P | The 6th is dodging in 5-6 at each call - very similar to the 120 above, but alternate bobs and singles. BUT it's false - and you need to be on the ball to call "That's All" in the right place. |
120 | PBPBPBPBPB | Good for practice - each bell does each bob once (but may contain 65s at backstroke). |
143 | PPPPB PPPBPB (P) | Call 6th Home, In, Home - comes round at handstroke. (FALSE) |
144 | BPSPB BPBBPPS | Plenty of calls - and includes Queens. |
180 | PPPPB PPPPB PPPPB | The equivalent of the 120 of Bob Doubles - one bell does 5-6 down at every bob, one bell does 5-6 up at every bob, the others do "I O M". |
240 | BPPB BPPB BPPB BPPB BPPB | Each block of four leads returns to the plain course, so this touch can be easily shortened as required, say for a service touch. (It's also the start of a nice 720...) |
Kent Minor |
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144 | PPB PPB | One bell (either 2, 3 or 4) makes the bob twice. |
240 | PPPBB PPPBB | "The usual" 240 - one bell is called unaffected each time it goes into and out of the slow work. |
240 | PBPBPBPBPB | Good for practice - each bell does each bob once (but does not contain 65s at backstroke). |
Cambridge Minor |
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93 | SBP(P) | Comes round at the treble's handstroke snap lead (i.e. before the final plain lead). (FALSE) |
120 | BBBBB | "A bobbed course". Call a bob every lead. Every bell does each bob once. |
122 | PBSBB | Comes round at the treble's backstroke snap lead. The 3 is unaffected until the last call. (FALSE) |
167 | PPBPB B(P) | Comes round at handstroke. (FALSE) |
170 | BBBBP BS | They think you're calling a bobbed course, but you miss the last bob, then call a bob and a single. Again comes round at treble's snap lead. (FALSE) |
189 | BSBP BBB(P) | Plenty of calls! Comes round at the treble's handstroke snap lead (i.e. before the final plain lead). (FALSE) |
192 | PPPB PPPB | One bell (works for any one except the 3rd) makes the bob twice. |
194 | PPBPP PPS | Comes round at the treble's backstroke snap lead. 4 and 6 are unaffected, and the 2 just runs in and is unaffected. |
216 | PPB PPB PPB | One bell (2, 3 or 6) runs in three times; one bell (3, 4 or 5) runs out three times. |
240 | PPBPB PPBPB | "The usual" 240 - one bell (here the 6th) is called unaffected each time it is dodging in 5-6. |
Plain Bob Major |
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160 | BPPBBBPPBB | The most-used short touch. Sometimes varied by replacing two bobs with two singles. |
160 | BBPPBBBPPB | A little-known variant; this parts the tenors, but gives some nice music. |
160 | PBBBP PBBBP | Slightly different again; the bobs are all made by 6, 7 and 8. (Tenors parted for two leads). |
224 | BPPPPPB BPPPPPB | Just like the 120 of Minor - call one bell (here the tenor) unaffected each time it's in 7-8. |
224 | PPBBPPP PPBBPPP | A rotation of the above, with the 2, 3 and 4 unaffected, giving 8765s at the back. |
1280 Plain Bob Major |
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